{"id":1036104,"date":"2026-05-21T22:00:00","date_gmt":"2026-05-21T22:00:00","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-30T00:00:00","slug":"trans-28124-8","status":"publish","type":"post","link":"https:\/\/infoans.news\/pl\/trans-28124-8\/","title":{"rendered":"W\u0142ochy \u2013 Nieznane dot\u0105d dzie\u0142o Tommaso Lorenzone w Muzeum-Domu Ksi\u0119dza Bosko w Turynie: szkic malarski do o\u0142tarza \u015bw. J\u00f3zefa"},"content":{"rendered":"

Ta cenna praca<\/strong>, wykonana prawdopodobnie po 1868 roku, zosta\u0142a niedawno w\u0142\u0105czona do sta\u0142ej kolekcji<\/strong> na pierwszym pi\u0119trze muzeum<\/strong>. P\u0142ótno, pierwotnie znalezione na pchlim targu przez prywatnego nabywc\u0119 i przechowywane do dzi\u015b w prywatnej kolekcji, stanowi warto\u015b\u0107 dodan\u0105 dla dziedzictwa kulturowego Valdocco i ca\u0142ej Rodziny Salezja\u0144skiej. Do\u0142\u0105cza ono do innego wa\u017cnego dzie\u0142a, które ju\u017c znajduje si\u0119 w zbiorach tej instytucji: jednego z szkiców wykonanych przez samego Lorenzone dla monumentalnego o\u0142tarza Matki Bo\u017cej Wspomo\u017cycielki Wiernych. <\/p>\n

Profil biograficzny i artystyczny autora  <\/strong><\/p>\n

Tommaso Andrea Lorenzone kszta\u0142ci\u0142 si\u0119 w “Accademia Albertina” w Turynie, do której zapisa\u0142 si\u0119 w 1838 roku. Pod okiem takich mistrzów, jak Giovanni Battista Biscarra (1790–1851), artysta wypracowa\u0142 styl o klasycystycznych korzeniach, stopniowo wzbogacany o elementy romantyczne.<\/p>\n

Jego kariera wystawiennicza rozpocz\u0119\u0142a si\u0119 na corocznych wystawach “Società Promotrice di Belle Arti” w Turynie i by\u0142a kontynuowana w salach “Accademia Albertina”. W 1859 roku, ciesz\u0105c si\u0119 ugruntowan\u0105 renom\u0105 na tury\u0144skiej arenie malarskiej, Lorenzone postanowi\u0142 zrezygnowa\u0107 z dzia\u0142alno\u015bci wystawienniczej, aby w pe\u0142ni po\u015bwi\u0119ci\u0107 si\u0119 realizacji prywatnych i instytucjonalnych zlece\u0144. Jego twórczo\u015b\u0107, z \u0142atwo\u015bci\u0105 poruszaj\u0105ca si\u0119 mi\u0119dzy malarstwem rodzajowym, narracj\u0105 historyczn\u0105 i portretami dla arystokracji, bur\u017cuazji i wy\u017cszego duchowie\u0144stwa, osi\u0105gn\u0119\u0142a jednak swój szczyt w tematyce sakralnej, do tego stopnia, \u017ce Ksi\u0105dz Bosko napisa\u0142 w 1875 roku: „Kunszt Lorenzone, zw\u0142aszcza gdy chodzi o dzie\u0142a o tematyce religijnej, nie potrzebuje s\u0142ów, by by\u0142 doceniony”. <\/p>\n

Zwi\u0105zek z Ksi\u0119dzem Bosko i geneza dzie\u0142a<\/strong><\/p>\n

Zwi\u0105zek mi\u0119dzy malarzem a Ksi\u0119dzem Bosko by\u0142 g\u0142\u0119boki i oparty na wzajemnej wspó\u0142pracy. Lorenzone zosta\u0142 bowiem wybrany do wykonania wielkiego obrazu nad o\u0142tarzem g\u0142ównym, po\u015bwi\u0119conego Matce Bo\u017cej Wspomo\u017cycielce Wiernych. W przypadku obrazu \u015bw. Józefa z 1872 roku proces twórczy przebiega\u0142 w oparciu o t\u0119 sam\u0105 dynamik\u0119 \u015bcis\u0142ej wspó\u0142pracy. Zgodnie z przekazem \u017aróde\u0142 historycznych i pó\u017aniejszymi notatkami ks. Fedele Giraudiego, koncepcja ikonograficzna wynika\u0142a bezpo\u015brednio z woli zleceniodawcy: „Sam Ksi\u0105dz Bosko przekaza\u0142 malarzowi szkic tej symbolicznej kompozycji, której sobie \u017cyczy\u0142”.<\/p>\n

Chocia\u017c nie zachowa\u0142y si\u0119 \u017cadne wspó\u0142czesne dokumenty, które formalnie by to potwierdza\u0142y, kompozycja obrazu odzwierciedla precyzyjne wytyczne teologiczne \u015bwi\u0119tego, który wielokrotnie odwiedza\u0142 pracowni\u0119 malarza, aby \u015bledzi\u0107 post\u0119p prac i doprowadzi\u0107 do jak najszybszego uko\u0144czenia tego dzie\u0142a dla ko\u015bcio\u0142a Matki Bo\u017cej Wspomo\u017cenia Wiernych. Ks. Giraudi stwierdza równie\u017c, \u017ce „wszystkie postacie znajduj\u0105 si\u0119 na pierwszym planie, poniewa\u017c Ksi\u0105dz Bosko, pragn\u0105c w szczególny sposób uhonorowa\u0107 \u015bw. Józefa, któremu dedykowany by\u0142 o\u0142tarz, chcia\u0142, aby obraz przedstawia\u0142 ca\u0142\u0105 \u015awi\u0119t\u0105 Rodzin\u0119”.<\/p>\n

W porównaniu z innymi kompozycjami, na p\u0142ótnie z 1872 roku Lorenzone powi\u0119kszy\u0142 przestrze\u0144 w dolnej cz\u0119\u015bci obrazu, aby umie\u015bci\u0107 tam, z dba\u0142o\u015bci\u0105 o szczegó\u0142y, sam ko\u015bció\u0142 Matki Bo\u017cej Wspomo\u017cenia Wiernych oraz okalaj\u0105ce go otoczenie. Skuteczno\u015b\u0107 tej formu\u0142y kompozycyjnej oraz studium g\u0142ównych postaci pozosta\u0142y sta\u0142ym elementem pó\u017aniejszej twórczo\u015bci artysty, który przedstawia\u0142 je niemal identycznie w kolejnych dzie\u0142ach, takich jak obraz \u015awi\u0119tej Rodziny z 1899 roku, który przechowywany jest w Asti.<\/p>\n

Przebieg prac nad obrazem odzwierciedla równie\u017c korespondencja. Ksi\u0105dz Bosko, przebywaj\u0105c poza Turynem, napisa\u0142 do ksi\u0119dza Rua: „Prosz\u0119, aby ksi\u0105dz Cagliero i ksi\u0105dz Savio zaj\u0119li si\u0119 obrazem \u015bw. Józefa, który znajduje si\u0119 u pana Lorenzone i jest ju\u017c gotowy; brakuje tylko ramy, a potem b\u0119dzie mo\u017cna go powiesi\u0107”.<\/p>\n

Ikonografia o charakterze duchowym w s\u0142owach Ksi\u0119dza Bosko<\/strong><\/p>\n

W wydanej monografii po konsekracji ko\u015bcio\u0142a Matki Bo\u017cej Wspomo\u017cenia Wiernych w 1868 roku sam Ksi\u0105dz Bosko szczegó\u0142owo opisa\u0142 z\u0142o\u017con\u0105 symbolik\u0119 tego niedoko\u0144czonego jeszcze obrazu: „W lewym skrzydle nawy poprzecznej znajduje si\u0119 o\u0142tarz po\u015bwi\u0119cony \u015bw. Józefowi. Obraz \u015bwi\u0119tego jest dzie\u0142em artysty Tommaso Lorenzone. Kompozycja ta ma charakter symboliczny. Zbawiciel jest przedstawiony jako dziecko, wr\u0119czaj\u0105ce kosz kwiatów Naj\u015bwi\u0119tszej Dziewicy, jakby mówi\u0105c: flores mei, flores honoris et honestatis<\/em>. Jego Naj\u015bwi\u0119tsza Matka poleca z kolei, by ofiarowa\u0107 je \u015bw. Józefowi, jej oblubie\u0144cowi, aby nast\u0119pnie jego r\u0119kami zosta\u0142y rozdane  wiernym, którzy z podniesionymi r\u0119kami na nie czekaj\u0105. Kwiaty symbolizuj\u0105 \u0142aski, które Jezus ofiarowuje Maryi, podczas gdy ona czyni \u015bw. Józefa ich absolutnym rozdawc\u0105, o czym za\u015bwiadcza \u015awi\u0119ty Ko\u015bció\u0142 s\u0142owami: constituit eum dominum domus suae<\/em>”.  <\/p>\n

Znalezienie i wystawienie tego szkicu stanowi wydarzenie o ogromnym znaczeniu dla bada\u0144 ikonograficznych, artystycznych i historycznych dotycz\u0105cych dziedzictwa salezja\u0144skiego. Ten fakt \u015bwiadczy o sta\u0142ym zaanga\u017cowaniu Muzeum-Domu Ksi\u0119dza Bosko w ochron\u0119 salezja\u0144skiej spu\u015bcizny, badania naukowe oraz upowszechnianie dziedzictwa artystycznego i kulturowego zwi\u0105zanego z Zgromadzeniem Salezja\u0144skim.<\/p>\n

Dr Ana Martín García, Ph.D.
Koordynatorka generalna Muzeum-Domu Ksi\u0119dza Bosko<\/em><\/p>\n

{gallery}ICP – Bozzetto Lorenzone 2026{\/gallery}<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ta cenna praca, wykonana prawdopodobnie po 1868 roku, zosta\u0142a niedawno w\u0142\u0105czona do sta\u0142ej kolekcji na pierwszym pi\u0119trze muzeum. P\u0142ótno, pierwotnie […]<\/p>\n","protected":false},"author":1,"featured_media":2028124,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_angie_page":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"page_builder":"","footnotes":""},"categories":[78],"tags":[],"class_list":["post-1036104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ans-photo"],"yoast_head":"\nW\u0142ochy \u2013 Nieznane dot\u0105d dzie\u0142o Tommaso Lorenzone w Muzeum-Domu Ksi\u0119dza Bosko w Turynie: szkic malarski do o\u0142tarza \u015bw. 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